Jo Ellis is Making.Do in Searcy

2018.10.3-22

Photo:  Ashel Parsons

In a colorful loft makerspace above the new Arch Street artist’s corridor in downtown Searcy, Jo Ellis is building a community. She’s connecting people who want to create and people who need to create with opportunities to explore new skills together. Equal parts Christian philosopher, entrepreneur and advocate for the arts, Ellis has a deep conviction about the therapeutic value of the creative process. She views creativity as one way humanity bears the image of God. Her belief, shaped during three years as a missionary in Ireland, underpins the business model for her nonprofit, Make.Do.

IMG_0672She sighed, her powerfully expressive face momentarily calm. “I’m careful how I talk about calling —  but I know that I am a co-creator with God in this work,” she confides, relating Make.Do’s origins in a group of “difficult” girls who were her charges while she was doing mission work. They were the girls no one wanted. They challenged her and pushed the limits in every way.

To keep them occupied, they made pillow covers out of strips of fabric. Ellis recalled, “They went through the entire creative process: They were overwhelmed with the fabric choices, they discussed possibilities, narrowed them down and learned to use the sewing machines. They made mistakes; they had to use a seam ripper to tear out and start over. They were frustrated. They had to deal with imperfection.”

IMG_0678At the end of the day, they posted pictures of their finished projects on Facebook. She beamed at the memory. “We spent the entire evening watching people ‘like’ their projects and comment on them. In a single day, they went from being the girls that ‘no one ever wants’ to being creators of something others valued — and that value was reflected back onto them. It was the first time I understood the deep impact creativity has on our hearts.”

Not only does Ellis want to be able to offer classes for free to places like Jacob’s Place or Hope Cottage, but she wants to be able to offer an affordable place for community to gather. For now, Make.Do’s class fees are “pay what you can.” Most people pay the suggested fee, a few people pay more, and some people pay less.

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Clients may learn quilting, sewing, watercolor, hand lettering, embroidery, felting, knitting, cookie decorating, iris paper folding, macrame and more. Classes may last three to six weeks, but Ellis believes the social mission of Make.Do is best realized in six-week classes, which bring people who might not otherwise interact together over a longer period.  

To some degree, all entrepreneurs are risk takers and, although Ellis has a missional purpose for Make.Do, she seems bold in the familiar entrepreneurial way. The numbers have to add up, even for a nonprofit. “It didn’t feel brave. Committing to one idea and having to stick with the same thing day in and day out might have been a challenge, but Make.Do allows me to constantly look forward to the next, new class.”

To market new offerings, she publishes a newsletter and relies heavily on social media. Since Facebook users can share content in a way Instagram users can’t, Facebook is Make.Do’s primary expansion tool. But 30-something Ellis is an uninhibited natural on Instagram live, where viewers have a window into her life as they visit her eclectic apartment while she emotes about her babies (her houseplants) or bond with her on the merits of her new side-shave hairstyle.

She’s on a related mission to lure each of us away from projecting an image of polished perfection. “When the front that others see is one of perfectly-edited photos and captions, we can forget how to relate to someone in the moment. Face to face, I can’t edit what I say to you as I do when we text. When we’re constantly smoothing out the roughness to perfect our communication, and when that is what we are always seeing from other people, we become grossly more aware of our own insecurities.”

2018.10.3-24

Photo: Ashel Parsons

Ellis shares a promotional photo of her taken in her studio. She’s awkwardly, enthusiastically telling a story. Her face is contorted. It’s the kind of photograph most of us would delete rather than post. But she loves it. “The more vulnerable we are, the more we post things that aren’t perfect, the more we give others permission not to be perfect as well.”

She sees the creative process as a metaphor. “When we take random scraps of something and give it a purpose, over and over, it makes it easier for us to draw a parallel in our own lives. We can zoom out and see that random pointless events are being woven into something more purposeful and beautiful. And that point is amplified when it occurs in community.”  

Comfortable authenticity is a goal worth pursuing, and it’s especially useful to anyone whose self-image has been weakened or fractured by life events. Ellis is currently working on fundraisers and is pursuing grant opportunities to provide scholarships to classes for those who might benefit. If you’d like to become involved, contact her through her Facebook page.

Know an entrepreneur whose story needs to be told? Email Patti Summers in the Waldron Center. psummers@harding.edu.

   

  

Mason Faulkner manages his herd

This is the second in a series of posts about student entrepreneurs on the Harding campus. 

When the Waldron Center got a tip that senior Mason Faulkner had to miss class because he “was headed to Canada to buy some cattle,” curiosity got the best of us. We discovered a young entrepreneur with 10 years of cattleman’s intuition and an accountant’s analytical predisposition. Discussing his herd of registered Fleckvieh Simmentals, he spoke with a quiet confidence that implied he’s thought a great deal about how to invest his energies.

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Faulkner played scholarship baseball for two years at Crowder College in Neosho, Missouri. He pitched for the Bisons for a season before injuries derailed him from collegiate baseball. He pointed to some surgical scars on his elbow, resigned. “My baseball career’s pretty much over now.” College was about much more than sports for Faulkner, whose major is accounting. “I love numbers and the language of business, and I thought accounting would help transition me eventually into a career in farming. I knew the finance background would be helpful.”

His parents, Perry, a CPA, and Jalene, a retired math teacher, have a commercial herd of around 200 in Center Ridge, Arkansas. “When I was 12, my family sold me my first cow for $100. Ten years later I’m sitting on 15 head.”

Raising cattle requires money, land, skill and relentless engagement. Commercial beef cattle, usually a cross between breeds with no pedigree, are raised to sell at market for slaughter. Purebred (registered) cattle, however, are raised either to produce breeding stock for other purebred producers or for breeding desirable traits into commercial herds. A registered herd requires more intense management than a commercial herd. The owner tracks performance metrics for each animal.

Faulkner’s business model is to run registered breeding stock; he’s curating a bloodline. He just returned from purchasing six Fleckvieh cows from Saskatchewan. Why Canada? “The original imports of the breed went there, so a lot of the original genetics are there. If I buy them there, I get different genetics, and it increases the value of my herd.” Faulkner’s cattle are isolated in their own pasture on family land in Center Ridge, and he manages his herd separately.

31405499-1772-4377-8C42-B83531AD4862 (1)“I like the breed because they are heartier, are bigger, have more longevity and bring more when you sell them per pound.” A little research reveals Fleckvieh are also known for “fitness characteristics including fertility, calving ease, udder health, milking speed, somatic cell count and persistence.” There’s a lot to know.

“I don’t sell mine at a local market barn. I’ll be taking them to a big registered cattle sale in Texas this weekend, and later on I’ll consign some at a registered sale in Mississippi. The full bloods bring more money there. I raise bulls to sell to Angus or Brangus breeders who cross the bulls with the Angus cows. The genetics of the Simmental improves their commercial herd.”

Faulkner navigates a conversation about advanced reproduction technologies in cattle with businesslike instruction; he’s aware that the vast majority of people he sees day-to-day have no idea what he’s up to. Occasionally, he’d quietly correct something to make sure we understood. Assisted reproductive interventions can be costly. To save money, a cattleman must develop some veterinary expertise. “Mom’s a pretty good vet, and we inseminate our cows ourselves,” he said.

He’s looking ahead. “I graduate in May, sit for the CPA exam and will start work for HoganTaylor, a regional public accounting firm. I’ll start out living at home in Center Ridge.” He needs to stay close to the herd. “And I’m looking at some land in Perry County that may become available eventually.”

So what’s his endgame? “All my life, I’ve been competitive, playing sports. I like to use my strengths to go out and meet people. I’ve built up this network of other farmers and I’d like to get some public accounting experience and eventually perhaps specialize in agriculture.” He wants to contribute to improving the industry. “Agriculture is very important; it’s a big part of everyone’s lives. I feel there’s a need for publicity to help people understand what we do and how to make it more sustainable. Technology is advancing, and we need to find ways to incorporate it.”

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He’s got an eye for innovation. “I’ve been on a mission the last year to create an app to track data on cattle: breedings, weanings, weights, heat cycles, dates, prices, accounting — so when I am out in a pasture with a client who says, ‘What about number 53 out there — tell me about her?’ I’ll have all the data available for each animal.” He and his uncle, a programmer, are already testing the app. Are they looking to market it? “It’s an ongoing project. The biggest challenge is that farmers may not be very tech savvy. Some will dabble with it and then abandon it. It didn’t cost us anything, and I can use it if it never comes to anything commercial.”  

What qualities does he think are especially important for a cattleman? “A cattleman typically only generates revenue twice a year, but expenses come in every month. So you have to manage your money. A cattleman has to be good with cash flow.”

With 10 years of experience building his own herd and his accounting credential in hand, we expect Faulkner is well-positioned to handle what’s ahead.

If  you’re a Harding student running a business, the Waldron Center would like to connect with you. Email Patti Summers psummers@harding.edu. Follow us on Instagram or Twitter @huwaldroncenter.